Theme of Laughter in Ksenia Buksha's Advent
https://doi.org/10.21603/sibscript-2023-25-4-587-594
Abstract
This article discusses laughter as one of the structure-forming themes in Ksenia Buksha's novel Advent (2021). The novel consists of two parts, the retrospective one being graphically separated from the main narrative. The theme of laughter does not seem to be connected with the event part; however, it brings about several sidelines. Methodologically, the research relied on the theory of motif developed by I. V. Silantiev, where the motif is considered as part of the narrative. The variability of laughter in literature is complemented by its multifaceted character in philosophy and culture. The works by S. S. Averintsev, L. V. Karasev, and M. T. Ryumina made it possible to understand the semantics of laughter as a cultural and social phenomenon. In her novel, K. Buksha hardly ever links laughter with the category of comic: in fact, laughter almost never accompanies mockery. As a rule, laughter in Advent is involuntary and unmotivated. It is associated with the true, imaginary, or impossible liberation of the characters from eternal routine and malign infinity, be it their entire lives or just a depressing episode. The laughter moments belong both to the main and episodic characters, which indicates that laughter is a universal symbol of crisis. This interpretation contributes to a deeper philosophical and ontological understanding of the contemporary Russian literature.
About the Author
Kapitalina V. SinegubovaRussian Federation
Kemerovo
Scopus Author ID: 57395770500
Competing Interests:
The author declared no potential conflict of interests regarding the research, authorship, and / or publication of this article.
References
1. Averintsev S. S. Bakhtin, laughter, and Christian culture. M. M. Bakhtin as a philosopher, eds. Gogotishvili L. A., Gurevich P. S. Moscow: Nauka, 1992, 7–19. (In Russ.) https://elibrary.ru/tjmnjh
2. Alekseeva M. M. The ambiguous motive of laughter in Dostoevsky's novel "The Idiot". Dostoevsky and World Culture. Philological journal, 2018, (4): 154–160. (In Russ.) https://doi.org/10.22455/2619-0311-2018-4-154-160
3. Barkovskaya N. V. Occupational novel of 2010s: genre transformation (K. Buksha "Factory Svoboda", I. Glebova "Gervais's Technical Drawings"). Uralskii filologicheskii vestnik. Seriia: Russkaia literatura XX–XXI vekov: napravleniia i techeniia, 2015, (2): 127–141. (In Russ.) https://elibrary.ru/ublvyr
4. Bakhtin M. M. Francois Rabelais' creativity and folk culture of the Middle Ages and Renaissance. 2nd ed. Moscow: Khudozh. lit., 1990, 543. (In Russ.) https://elibrary.ru/vqmunr
5. Bondarenko A. V. Philology of comedy and laughter. Vestnik Voennogo universiteta, 2009, (2): 107–113. (In Russ.) https://elibrary.ru/knnwdd
6. Vasilyeva N. V. The names of doubles: nominative context and narrative meanings in Ksenia Buksha's prose. Language, culture, creativity: World practices of studying, ed. Zykova I. V. Moscow: Gnosis, 2020, 339–349. (In Russ.) https://elibrary.ru/glmwdt
7. Grimova O. A. The crisis of personal identity in classical and non-classical prose. Bulletin of Adyghe State University, Ser. 2: Philology and Art Criticisms, 2021, (1): 139–145. (In Russ.) https://elibrary.ru/aiqwdy
8. Grimova O. A. Mental isolation and its narrative representation in K. Buksha's prose. Modern Humanities Success, 2022, (12): 26–30. (In Russ.) https://elibrary.ru/raqrwo
9. Gurenkova Yu. V. The phenomenon of ritual laughter: from archaism to modernity. Voprosy kulturologii, 2012, (12): 57–61. (In Russ.) https://elibrary.ru/ponixb
10. Zolotova T. A. Folklorism in the works of contemporary young Russian authors. Traditional culture, 2018, 19(3): 20–29. (In Russ.) https://elibrary.ru/yogigt
11. Zolotova T. A., Kabanova T. L. "Soviet discourse" and its interpretation in "young" literature (on Ksenia Buksha's novels). Relevant issues of Romano-Germanic philology and teaching European languages at school and university: Proc. V extramural All-Russian (with Intern. participation) Sci.-Prac. Conf., Yoshkar-Ola, 18–20 Mar 2016. Yoshkar-Ola: MarSU, 2016, 190–201. (In Russ.) https://elibrary.ru/xehwan
12. Karasev L. V. Philosophy of laughter. Moscow: RSUH, 1996, 224. (In Russ.) https://elibrary.ru/siasup
13. Kolpikova O. P. Laughter as a socio-cultural phenomenon. Moscow: MSPU, 2010, 121. (In Russ.) https://elibrary.ru/qolrnn
14. Kreier N. E., Lepakova K. A. "Male" and "female" plots in modern literature. Philological readings of the Yaroslavl State University: Proc. Conf., Yaroslavl 22–23 May 2017. Yaroslavl: YSU, 2017, 156–159. (In Russ.) https://elibrary.ru/zaravv
15. Lutsenko E. M., Pogorelaya E. A. The chronotope of threat and its metaphorical overcoming in the Russian intellectual novel of the XXI century. Novyi filologicheskii vestnik, 2019, (3): 135–148. (In Russ.) https://doi.org/10.24411/2072-9316-2019-00067
16. Martynova E. M. The phenomenon of laughter in the anomalous communication. Uchenye zapiski Orlovskogo gosudarstvennogo universiteta. Seriia: Gumanitarnye i sotsialnye nauki, 2012, (4): 126–131. (In Russ.) https://elibrary.ru/pinvar
17. Pogorelaya E. A. Two coming-of-age novels (2018). Voprosy Literatury, 2019, (6): 104–116. (In Russ.) https://doi.org/10.31425/0042-8795-2019-6-104-116
18. Pokotylo M. V. The comic and laughter in the modern paradigm of humanities. Vestnik Piatigorskogo gosudarstvennogo lingvisticheskogo universiteta, 2014, (2): 177–180. (In Russ.) https://elibrary.ru/sobfdd
19. Polulyashina D. I. Verbal intrigue in Ksenia Buksha’s Pine Glade. Asya. Topical Issues of Philological Research: Proc. Intern. Sci.-Prac. Conf., Krasnodar, 20 Mar 2020. Krasnodar: ID – Iug, 2020a, 115–120. (In Russ.) https://elibrary.ru/vgoeii
20. Polulyashina D. I. Representation of identity crisis in Ksenia Buksha's book "Opens inwards". Vestnik of Kostroma State University, 2020b, 26(2): 198–203. (In Russ.) https://doi.org/10.34216/1998-0817-2020-26-2-198-203
21. Propp V. Ya. Issues of comedy and laughter. 2nd ed. St. Petersburg: Aleteiia, 1997, 283. (In Russ.)
22. Ryumina M. T. Aesthetics of laughter. Laughter as virtual reality. 3rd ed. Moscow: Lenand, 2010, 314. (In Russ.) https://www.elibrary.ru/qwvjvp
23. Silantev I. V. Poetics of motif. Moscow: IaSK, 2004, 294. (In Russ.) https://www.elibrary.ru/qquxiv
24. Sinegubova K. V. Interlude function in the novel by Ksenia Buksha's "The Freedom Factory". Philology. Theory & Practice, 2017, (7-1): 74–76. (In Russ.) https://www.elibrary.ru/yqeebz
25. Skoropanova I. S. The phenomenon of laughter in Anatoly Korolev's novel Laughter. A one-work analysis, ed. board: Skoropanova I. S. et al. Minsk: IVTs Minfina, 2020, 185–219. (In Russ.)
26. Shaytanov I. O. The guidelines for building up a thesaurus in the contemporary novel. Novyi filologicheskii vestnik, 2019, (3): 126–134. (In Russ.) https://doi.org/10.24411/2072-9316-2019-00066
Review
For citations:
Sinegubova K.V. Theme of Laughter in Ksenia Buksha's Advent. SibScript. 2023;25(4):587-594. (In Russ.) https://doi.org/10.21603/sibscript-2023-25-4-587-594