Preview

SibScript

Advanced search

Allegorical Images in The Gray House by Mariam Petrosyan

https://doi.org/10.21603/2078-8975-2022-24-5-654-661

Abstract

This article discusses the strategies of visual representation and the status of visual images in Mariam Petrosyan's novel The Gray House, originally published in Russian as The House in Which... The novel is an excellent example of magical realism in contemporary literature. Dispersed throughout the text, visual images have an important role in understanding the fictional world. The characters of the novel sketch animals or fantastic creatures, which become their signatures. The pattern is similar to that of a magical ritual. These drawings and graffiti help the characters to communicate with the mystical House, where they all live. The drawings represent someone or something, while being themselves the subject of representation, which complicates the structure of the novel and requires readers’ reflection. The allegorical nature of the drawings creates the semantic continuity of the House because the characters share the same way of self-expression. The images created by Smoker are special because this character belongs to the House only partially. Smoker’s drawings clearly demonstrate his alienness in the world of the House, but they provide a metaphorical understanding of the House and offer its artistic interpretation. They serve as an alternative key to deciphering the mystical nature of the space. Smoker’s drawings reveal the concept of time distorted by the House

About the Author

K. V. Sinegubova
Kemerovo State University
Russian Federation

Kapitalina V. Sinegubova

Kemerovo 



References

1. Lebyodushkina O. P. The Home where... (Dom, v kotorom...) by Mariam Petrosyan as a concluding text of the decade. Philological Class, 2011, (25): 20–21. (In Russ.) EDN: OIGMOZ

2. Bulgakova A. A. The topos Home as heterotopy in the novel by M. Petrosyan "The House in which...". Philological Class, 2021, 26(2): 167–181. (In Russ.) https://doi.org/10.51762/1FK-2021-26-02-14

3. Voronkova P. E. The archetypal image of the hero The Gray House by M. Petrosyan. Scientific achievements and discoveries of young scientists: III Intern. Sci.-Prac. Conf., Penza, 17 Feb 2018. Penza: Nauka i Prosveshcheniye, 2018, 285–294. (In Russ.) EDN: YRWZNZ

4. Meskin V. A., Gaidash L. V. "The Gray House " by Mariam Petrosyan in the context of the literary tradition of magical realism. RUDN Journal of Studies in Literature and Journalism, 2019, 24(3): 404–413. (In Russ.) https://doi.org/10.22363/2312-9220-2019-24-3-404-413

5. Gugnin A. A. Magical realism in the context of literature and art of the XX century: a phenomenon and some ways of its understanding. Moscow: InSlav RAS, 1998, 120. (In Russ.) EDN: YHOVOX

6. Tsyrenova D. S. Magical realism in the works of Mo Yan. Bulletin of Buryat State University, 2010, (8): 133–136. (In Russ.) EDN: MTWMBD

7. Kazakova Yu. K. Traditions of magical realism in Daniel Kehlmann's novel "Measuring the World". Philology. Theory & Practice, 2013, (12-1): 98–102. (In Russ.) EDN: RKQJLV

8. Gavrikov V. A. "Miraculous realism" in Zaitsev’s, Shmelev’s, Bunin’s prose (in context of magical realism, fantastic realism, mystical realism, spiritual realism, etc.). RUDN Journal of Studies in Literature and Journalism, 2019, 24(1): 35–42. (In Russ.) https://doi. org/10.22363/2312-9220-2019-24-1-35-42

9. Sorokina N. V., Abramenkova L. E. Magical realism traditions in the Dina Rubina's novel "Style of Leonardo". Neofilologiya, 2019, 5(20): 518–525. (In Russ.) https://doi. org/10.20310/2587-6953-2019-5-20-518-525

10. Osipova O. I. Th peculiarities of "magic realism" in E. Nekrasova’s novel "Kalechinamalechina". Philology: scientific research, 2020, (12): 1–10. (In Russ.) https://doi.org/10.7256/2454-0749.2020.12.33372

11. Biyakaeva A. V. Interrelation of art reality levels texts of modern magic realism. Vestnik Omskogo gosudarstvennogo pedagogicheskogo universiteta. Gumanitarnye issledovaniya, 2017, (2): 70–73. (In Russ.) EDN: ZDDCID

12. Biyakaeva A. V. Ordinary and occult actions of the characters as a behavioral codex in a magical realism text (based on the The Gray House by M. Petrosyan). Uchenye zapiski Krymskogo federal'nogo universiteta imeni V. I. Vernadskogo. Filologicheskie nauk, 2017, 3 (1): 59–67. (In Russ.) EDN: XOJWHZ

13. Lavlinsky S. P., Gurovich N. M. The visual in literature. Poetics: a dictionary of current terms and concepts, ed. Tamarchenko N. D. Moscow: Izd-vo Kulaginoi; Intrada, 2008, 37–39. (In Russ.)

14. Bakhtin M. M. Aesthetics of the written words. Moscow: Iskusstvo, 1979, 423. (In Russ.) EDN: VQMUFP

15. Aksenova A. A. Position of a represented observer as a receptive aspect of the visual in literature. Philology. Theory & Practice, 2019, 12(9): 116–119. (In Russ.) https://doi. org/10.30853/filnauki.2019.9.24

16. Aksenova A. A. The visual aspect of lyrical works in the technique of close reading (on the material of one line of A. A. Akhmatova’s "Come look at me"). Novyy filologicheskiy vestnik, 2017, (4): 25–35. (In Russ.) EDN: YNTKHR

17. Remizova M. There is no time. Oktiabr, 2012, (4): 148–168. (In Russ.)

18. Meletinsky E. M. The primitive origins of verbal art. In: Meletinsky E. M. Selected articles. Memoirs. Moscow: RSUH, 1998: 52–110. (In Russ.)

19. Eliade M. Aspects of the myth. Moscow: Invest-PPP, 1996, 240. (In Russ.)

20. Melnik D. A. Storytelling in the novel "The House that" by Mariam Petrosyan: layers of meaning. Vestnik of Saint Petersburg University. Series 9. Philology. Oriental studies. Journalism, 2013, (3): 63–67. (In Russ.) EDN: RLYITZ

21. Iatsenko E. V. "Poets, love painting": Ekphrasis as an artistic and ideological model. Voprosy Filosofii, 2011, (11): 47–57. (In Russ.) EDN: OPKXPR

22. СSidorova M. Yu. "The house in which..." the visual modus lives: from a character’s point of view to constructing the author's purport. Moscow State University Bulletin. Series 9. Philology, 2014, (3): 75–93. (In Russ.) EDN: TEDHMJ

23. Aksenova A. A. Receptive aspects of the visual in literature. Novyy filologicheskiy vestnik, 2020, (3): 76–86. (In Russ.) https://doi.org/10.24411/2072-9316-2020-00067

24. [Dyadyk N. G. Conceptual art as a way of philosophizing: painting instead of philosophy. Socium i vlast’, 2020, (1): 104–115. (In Russ.) https://doi.org/10.22394/1996-0522-2020-1-104-115

25. Bochkareva N. S. Functions of pictorial ecphrasis in the novel "The Ship of Fools" by Gregory Norminton. Vestnik Permskogo universiteta. Rossiyskaya i zarubezhnaya filologiya, 2009, (6): 81–92. (In Russ.) EDN: JVKSIX


Review

For citations:


Sinegubova K.V. Allegorical Images in The Gray House by Mariam Petrosyan. The Bulletin of Kemerovo State University. 2022;24(5):654-661. (In Russ.) https://doi.org/10.21603/2078-8975-2022-24-5-654-661

Views: 262


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.


ISSN 2949-2122 (Print)
ISSN 2949-2092 (Online)