ICONICITY IN MEDIADISCOURSE (GRAPHICAL LEVEL)
Abstract
The article analyzes iconicity on a graphical level of the media discourse of the English and the Dutch languages. The cognitive role of such instruments as photography, chart, pictogram, caricature, collage, as well as the role of the background, colour, font and point in coding of the reality are examined.
About the Authors
E. V. Vilchikova
Kemerovo State University
Russian Federation
Russian Federation
Ekaterina V. Vilchikova – post-graduate at the Department of English Philology No.1.
+7(3842)353700, vilchikovae@list.ru
M. Yu. Riabova
Kemerovo State University
Russian Federation
Marina Yu. Riabova – Doctor of Philology, Professor, Head of the Department of English Philology No. 1
Russian Federation
Marina Yu. Riabova – Doctor of Philology, Professor, Head of the Department of English Philology No. 1
References
1. Зарубежная и российская журналистика. Трансформация картины мира и ее содержания: коллективная монография / науч. ред. А. А. Стриженко. – Барнаул, 2009. – 300 с.
2. Литературная энциклопедия: в 11 т. / под ред. В. М. Фриче, А. В. Луначарского. – М.: Издательство Коммунистической академии: Советская энциклопедия: Художественная литература, 1931. – Т. 5.
3. Пирс, Ч. Избранные философские произведения / Ч. Пирс. – М., 2000.
4. Givon, T. Iconicity, Isomorhism and Non-Arbitrary Coding in Syntax / T. Givon // Iconicity in Syntax. – Stanford, 1983.
Review
For citations:
Vilchikova E.V., Riabova M.Yu. ICONICITY IN MEDIADISCOURSE (GRAPHICAL LEVEL). SibScript. 2013;(1):150-155. (In Russ.)
Views:
355
Email this article 