Preview

SibScript

Advanced search

The Image of the Russian Revolution as the Embodiment of the Author's Understanding of History in "The Nomadism to Death" by Vladimir Maksimov

https://doi.org/10.21603/2078-8975-2018-3-223-230

Abstract

The study features the image of the revolution in the novel by  V. Maksimov "The Nomadism to Death". The research employed the cultural-historical and mythopoetic methods, as well as the method of motivational analysis. Since the novel has a complex multistage structure, the image of the revolution is considered according to the levels of the text: 1. The real layer of time, featuring the generation of fathers, who participated in the revolution and civil war. For them, revolution is significant: this is what they lived, killed and died for. The image of revolution evokes respect and worship, as well as regret about its incomplete. On this level, the revolution is closely connected with the time of the Civil War, which became its continuation. 2. The metatext level (the level of the explicit author-narrator Mikhail Barmin) unites the metatextual construction of the novel (which includes the present, Barmin’s past and "a novel inside the novel" about the time of the revolution and the civil war) and fits into the artistic conception of the writer's time: Maksimov depicts the time as a deadly chaotic circle, guiding the destinies of his characters and the land that repeats its history again and again, and in the whole of humanity as a whole. 3. Author's point of view (implicit author) – the revolution appears in the form of chthonic creatures, monsters devouring their children, demanding blood sacrifices and human lives.

About the Author

L. S. Starikova
Kemerovo State University
Russian Federation

Lyudmila S. Starikova 

6, Krasnaya St., Kemerovo, 650000

 



References

1. Kuchukova Zh. M. Stanovlenie etnonatsionalʹnoi sub”ektnosti i obraz revoliutsii [Formation of ethnonational subjectivity and image of revolution]. Istoricheskie, f losofskie, politicheskie i iuridicheskie nauki, kulʹturologiia i iskusstvovedenie. Voprosy teorii i praktiki = Historical, philosophical, political and legal sciences, culturology and art history. Questions of theory and practice, no. 9-1 (2015): 105–107.

2. Mlechko A. V. Simvolika «khaosa istorii» v romanakh Marka Aldanova i «russkii tekst» «Sovremennykh zapisok» («Myslitelʹ», «Kliuch. Begstva. Peshchera», «Nachalo kontsa») [The symbolism of the "chaos of history" in the novels by Mark Aldanov and the "Russian text" of "Modern Notes" ("Thinker", "Key. Escape. Cave", "The Beginning of the End")]. Vestnik Volgogradskogo gosudarstvennogo universiteta. Seriia 8: Literaturovedenie. Zhurnalistika = Science Journal of VolSU. Literary Criticism. Journalism, no. 3 (2003): 69–74.

3. Zločevskaja A. V. Situatsiia revoliutsii – kak situatsiia destruktsii eticheskikh i zhiznennykh orientirov (na materiale pʹes M. Bulgakova «Dni Turbinnykh», I. Surgucheva «Reki Vavilonskie» i M. Aldanova «Liniia Brungilʹdy») [The situation of the revolution is like the situation of the destruction of ethical and vital landmarks (on the material of M. Bulgakov's plays "The Turbins' Days", I. Surgutchev "The Rivers of Babylon" and M. Aldanova "The Line of Brunhilde")]. Slavica litteraria, 15, Iss. 1 (2012): 35–44.

4. Makrushina I. V. Skvozʹ prizmu karnavala: o dvukh revoliutsiiakh v romanakh M. Aldanova [Through the prism of the carnival: about two revolutions in M. Aldanov’s novels]. V mire nauki i iskusstva: voprosy filologii, iskusstvovedeniia i kulʹturologii = In the world of science and art: questions of philology, art criticism and culturology, no. 30 (2013): 158–167.

5. Makrushina I. V. Svoeobrazie khudozhestvennoi istoriosofii Marka Aldanova [Singularity of Mark Aldanov’s art historiosophy]. Universum: filologiia i iskusstvovedenie = Universum: Philology and Art History, no. 1 (2014): 2.

6. Mikheicheva E. A. Evoliutsiia obraza revoliutsionera v tvorchestve L. Andreeva [The evolution of revolutionistˊs image in L.Andreev´s works]. Slavianskii sbornik: Materialy XIVserossiiskikh(smezhdunarodnym uchastiem) Slavianskikh Chtenii [Slavic collection: Proc. XI All-Russian (with intern. participation) Slavonic Readings]. Orel: Orlovskii gos. in-t iskusstv i kulʹtury, 2014, 95–102.

7. White F. H. Interpreting History: Meaning Production for the Russian Revolution. Adaptation: the journal of literature on screen studies, 9, no. 2 (2016): 205–220. DOI: 10.1093/adaptation/apw003.

8. Chubarov I. M. Simvol, affekt i mazokhizm. Obrazy revoliutsii u A. Belogo i A. Bloka [Symbol, affect and masochism. Images of the revolution in A. Bely and A. Blok]. Novoe literaturnoe obozrenie = New literary review, no. 1 (2004): 131–147.

9. Podshivalova E. A. Revoliutsiia i narodnaia stikhiia. K izucheniiu poemy A. Bloka «Dvenadtsatʹ» na uroke literatury [Revolution and the people's element. To the study of A. Blok's poem "The Twelve" at the lesson of literature]. Filologicheskii klass = Philological Class, no. 15 (2006): 51–55.

10. Brazhnikov I. L. Veter istorii («stikhiinye» metafory v poeme A. Bloka «Dvenadtsatʹ») [A wind of history ("Natural" metaphor in a poem by Alexander Blok, "The twelve")]. Vestnik Surgutskogo gosudarstvennogo pedagogicheskogo universiteta = The Surgut State Pedagogical University Bulletin, no. 3 (2011): 178–183.

11. Yakovlev M. V. Revoliutsiia i apokalipsis v liricheskom prostranstve A. Bloka [Revolution and Apocalypse in A.Blok’s lyric space]. Vestnik Moskovskogo gosudarstvennogo oblastnogo gumanitarnogo instituta. Seriia: Filologiia. Lingvistika i mezhkulʹturnaia kommunikatsiia = Bulletin of the Moscow State Regional Humanitarian Institute. Series: Philology, linguistics and intercultural communication, no. 1 (2013): 14.

12. Buzhor E. S. Osmyslenie russkoĭ revoliutsii v tvorchestve Maksimiliana Voloshina [Assessment of Russian Revolution in the Work of Maximilian Voloshin]. Elektronnoe nauchnoe izdanie Alʹmanakh Prostranstvo i Vremia = Electronic Scientific Edition Almanac Space and Time, 1, no. 2 (2013): 19.

13. Yakimova L. P. Povesti Leonida Leonova 1920-kh godov o revoliutsii i grazhdanskoi voine kak zhanrovotematicheskii i semantiko-poeticheskii tsikl [Leonid Leonov's novels of the 1920s about the revolution and civil war as a genre-thematic and semantic-poetic cycle]. Novosibirsk: Izd-vo SO RAN, 2007, 254.

14. Nepomnyashchikh N. A. Motiv pogorelʹshchiny v «Piramide» L. M. Leonova i motiv ochishcheniia ognem v literature nachala 1920-kh godov [The motif of burnout in the Pyramid by Leonid Leonov and the motif of purification by fire in the literature of the early 1920s]. Materialy k Slovariu siuzhetov i motivov russkoi literatury. Liricheskie i epicheskie siuzhety [Materials to the Dictionary of plots and motifs of Russian literature. Lyrical and epic stories]. Ed. Silantiev I. V. Novosibirsk: NGU, 2010, 167–177.

15. Vorotyntseva K. A., Tyupa V. I. Povsednevnostʹ i katastrofa v romane «Doktor Zhivago» [Everyday life and catastrophe in the novel Doctor Zhivago]. Novyi filologicheskii vestnik = The New Philological Bulletin, no. 1 (2014): 110–125.

16. Krivosheya N. A. Povestʹ A. M. Remizova «Krestovye sestry» v aspekte ideino-khudozhestvennogo svoeobraziia tvorchestva pisatelia i literaturnykh traditsii [Conceptual and expressive originality of A. M. Remisov’s "Sisters of the Cross" in his art and literary traditions aspects]. Vestnik Nizhnevartovskogo gosudarstvennogo universiteta = The Bulletin of Nizhnevartovsk State University, no. 4 (2014): 49–56.

17. Brazhnikov I. L. Istoriosofskiii tekst russkoi revoliutsii v khudozhestvennoi literature i publitsistike ХХ veka. Avtoref. diss. doktora filol. nauk [The historiosophic text of the Russian revolution in fiction and journalism of the twentieth century. Dr. Philol. Sci. Diss. Abstr.]. Moscow, 2011, 40.

18. Dziov A. R. Istoricheskaia sudʹba Rossii v romane V. Maksimova «Zaglianutʹ v bezdnu» [The historical fate of Russia in the novel by V. Maksimov "Look into the abyss"]. Shadrinskie chteniia: Materialy vtoroi mezhregionalʹnoi nauchno-prakticheskoi konferentsii. Literaturovedenie. Kulʹturologiia [Shadrinsky readings: Proc. second interregional Sci.-Prac. Conf. Literary studies. Culturology. Shadrinsk]. Shadrinsk: Isetʹ, 2006, 184.

19. Popova I. M. Simvoliko-metaforicheskii printsip izobrazheniia istorii v proze V. E. Maksimova kontsa XX veka [Symbolic and metaphorical principle of depicting historical events in the prose of V. E. Maksimov at the end of the XX century]. Izvestiia Tulʹskogo gosudarstvennogo universiteta. Gumanitarnye nauki = News of the Tula state university. Humanitarian sciences, no. 2 (2014): 263–270.

20. Popova I. M. Printsipy izobrazheniia istorii v romanistike V. E. Maksimova [Principles of story representation in romance philology of OF V. E. Maksimov]. Filologicheskie nauki. Voprosy teorii i praktiki = Philological Sciences. Issues of Theory and Practice, no. 12-2 (2013): 170–173.

21. Maksimov V. E. Kochevanie do smerti [The Nomadism to Death]. Maksimov V. E. Izbrannoe [Izbrannoe]. Moscow: Terra, 1994, 523–735.

22. Litvinov V. M. Vladimir Emelʹianovich Maksimov [Vladimir Emelyanovich Maksimov]. Russkie pisateli. XX vek. Biobibliograficheskii slovarʹ. Ch. 2: M–Ia [Russian writers. XX century. Bibliographic Dictionary. Part 2: M–Ia]. Moscow: Prosveshchenie, 1998, 10–14.

23. Limonov V. A. Tsiklichnostʹ istorii v sotsiologicheskikh i filosofskikh kontseptsiiakh ХХ v. [Cyclic recurrence (Tsiklizm) in sociological and philosophical conceptions of 20th century]. Vestnik SanktPeterburgskogo gosudarstvennogo universiteta kulʹtury i iskusstv = Bulletin of the St. Petersburg State University of Culture and Arts, no. 1 (2011): 116–123.

24. Ivanenko A. I. Хaos i revoliutsiia (prolegomeny k ontologii revoliutsii) [Chaos and revolution (introduction to the revolution ontology)]. Vestnik Volgogradskogo gosudarstvennogo universiteta. Seriia 7: Filosofiia.i Sotsiologiia i sotsialʹnye tekhnologii = Bulletin of Volgograd State University. Series 7: Philosophy. Sociology and social technologies, no. 2 (2010): 54–62.

25. Brinton C. The Anatomy of Revolution. N. Y.: Vintage Books, 1960, 243.


Review

For citations:


Starikova L.S. The Image of the Russian Revolution as the Embodiment of the Author's Understanding of History in "The Nomadism to Death" by Vladimir Maksimov. The Bulletin of Kemerovo State University. 2018;(3):223-230. (In Russ.) https://doi.org/10.21603/2078-8975-2018-3-223-230

Views: 587


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.


ISSN 2949-2122 (Print)
ISSN 2949-2092 (Online)