THE IMAGE ‘ROMANO/ ROMANA’ IN A. MORAVIA’S WORKS AS MEANS OF ACTUALIZATION OF THE AUTHOR’S VALUES
Abstract
The paper deals with the value outlook of the Italian anti-fascist writer A. Moravia which is revealed through the manifestation of the romano/romana image in his works of fiction. The political and socio-cultural constituent – the established fascist regime inItalyof the 1920s – expands the conceptual space of the studied image and allows to form a picture of a Roman resident as a mouthpiece of the pre-war Italian culture.
About the Authors
E. O. Omelichkina
Moscow City Teachers’ Training University
Russian Federation
Elena O. Omelichkina – Candidate of Philological Sciences, Docteur en langue et littérature françaises, générales et comparées (France), Senior Lecturer at the Department of the French Language and Linguodidactics, Institute of Foreign Languages
Russian Federation
Elena O. Omelichkina – Candidate of Philological Sciences, Docteur en langue et littérature françaises, générales et comparées (France), Senior Lecturer at the Department of the French Language and Linguodidactics, Institute of Foreign Languages
A. A. Alshan
Moscow City Teachers’ Training University
Russian Federation
Anna A. Alshan – graduate of the Department of Romance Philology, Institute of Foreign Languages
Russian Federation
Anna A. Alshan – graduate of the Department of Romance Philology, Institute of Foreign Languages
References
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Review
For citations:
Omelichkina E.O., Alshan A.A. THE IMAGE ‘ROMANO/ ROMANA’ IN A. MORAVIA’S WORKS AS MEANS OF ACTUALIZATION OF THE AUTHOR’S VALUES. SibScript. 2015;(4-1):146-150. (In Russ.)
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