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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">kemsu</journal-id><journal-title-group><journal-title xml:lang="ru">СибСкрипт</journal-title><trans-title-group xml:lang="en"><trans-title>SibScript</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2949-2122</issn><issn pub-type="epub">2949-2092</issn><publisher><publisher-name>Kemerovo State University</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">kemsu-659</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>Филология</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>PHILOLOGY</subject></subj-group></article-categories><title-group><article-title>МЕЩАНСКАЯ ТРАГЕДИЯ ДЖОРДЖА ЛИЛЛО «ЛОНДОНСКИЙ КУПЕЦ» – ОТ ДРАМАТУРГИЧЕСКОГО ТЕКСТА К СОЦИАЛЬНОМУ КОНТЕКСТУ</article-title><trans-title-group xml:lang="en"><trans-title>GEORGE LILLO’S DOMESTIC TRAGEDY «THE LONDON MERCHANT» – FROM THE DRAMATURGIC TEXT TO THE SOCIAL CONTEXT</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Галлямова</surname><given-names>М. С.</given-names></name><name name-style="western" xml:lang="en"><surname>Gallyamova</surname><given-names>M. S.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Галлямова Мария Сергеевна – кандидат филологических наук, доцент кафедры английской филологии и перевода.8-902-616-80-51, maria_gallyamova@mail.ru</p></bio><bio xml:lang="en"><p>Maria S. Gallyamova – Candidate of Philology, Assistant Professor at the Department of English Philology and Translation</p></bio><email xlink:type="simple">maria_gallyamova@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru">Магнитогорский государственный технический университет имени Г. И. Носова<country>Россия</country></aff><aff xml:lang="en">Nosov Magnitogorsk State Technical University<country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2014</year></pub-date><pub-date pub-type="epub"><day>12</day><month>03</month><year>2016</year></pub-date><volume>0</volume><issue>1-1</issue><fpage>129</fpage><lpage>132</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Галлямова М.С., 2014</copyright-statement><copyright-year>2014</copyright-year><copyright-holder xml:lang="ru">Галлямова М.С.</copyright-holder><copyright-holder xml:lang="en">Gallyamova M.S.</copyright-holder><license license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.sibscript.ru/jour/article/view/659">https://www.sibscript.ru/jour/article/view/659</self-uri><abstract><p>Статья посвящена важному этапу развития драматургического искусства в Англии. В данной работе мещанская трагедия Джорджа Лилло рассматривается как новый тип социальной пьесы XVIII века. Этой задаче подчинены все аспекты анализа художественного своеобразия и новаторства произведения английского драматурга, выявлены особенности развития социальной темы в литературе XVIII века.</p></abstract><trans-abstract xml:lang="en"><p>The paper addresses an important stage in the history of the English dramatic art. In this work the domestic tragedy by George Lillo is considered as a new type of social play of the 18th century. All aspects of analyzing the artistic originality and the innovation of the play are subjected to this task; the peculiarities of social themes development in the 18th-century literature are revealed.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>мещанская трагедия</kwd><kwd>Джордж Лилло</kwd><kwd>социальный контекст</kwd><kwd>добродетель</kwd><kwd>английский купец</kwd></kwd-group><kwd-group xml:lang="en"><kwd>domestic tragedy</kwd><kwd>George Lillo</kwd><kwd>social context</kwd><kwd>virtue</kwd><kwd>English merchant</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Cruise, J. Dispensing Nationhood and the Consuming Nation in «The London Merchant» / J. Cruise // The Age of Johnson. – (10) 1999.</mixed-citation><mixed-citation xml:lang="en">Cruise, J. Dispensing Nationhood and the Consuming Nation in «The London Merchant» / J. Cruise // The Age of Johnson. – (10) 1999.</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Lillo, G. London Merchant or the History of George Barnwell / G. Lillo. – Режим доступа: http://www.archive.org/stream/londonmerchantor00lilluoft#page/108/mode/2up (дата обращения: 5.06.2013).</mixed-citation><mixed-citation xml:lang="en">Lillo, G. London Merchant or the History of George Barnwell / G. Lillo. – Режим доступа: http://www.archive.org/stream/londonmerchantor00lilluoft#page/108/mode/2up (дата обращения: 5.06.2013).</mixed-citation></citation-alternatives></ref><ref id="cit3"><label>3</label><citation-alternatives><mixed-citation xml:lang="ru">Malinowski, B. The problem of meaning in the primitive languages / B. Malinowski // Ogden, C. K., Richards, I. A. Meaning of Meaning (International Library of Psychology, Philosophy and Scientific Method). – L.: Kegan Paul, 1923.</mixed-citation><mixed-citation xml:lang="en">Malinowski, B. The problem of meaning in the primitive languages / B. Malinowski // Ogden, C. K., Richards, I. A. Meaning of Meaning (International Library of Psychology, Philosophy and Scientific Method). – L.: Kegan Paul, 1923.</mixed-citation></citation-alternatives></ref></ref-list><fn-group><fn fn-type="conflict"><p>The authors declare that there are no conflicts of interest present.</p></fn></fn-group></back></article>
