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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">kemsu</journal-id><journal-title-group><journal-title xml:lang="ru">СибСкрипт</journal-title><trans-title-group xml:lang="en"><trans-title>SibScript</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2949-2122</issn><issn pub-type="epub">2949-2092</issn><publisher><publisher-name>Kemerovo State University</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.21603/2078-8975-2021-23-4-855-864</article-id><article-id custom-type="elpub" pub-id-type="custom">kemsu-5098</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>История и археология</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>History and archeology</subject></subj-group></article-categories><title-group><article-title>Изображения на керамике халафской культуры в Сирии</article-title><trans-title-group xml:lang="en"><trans-title>Images on Halaf Pottery from Syria</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0002-5656-8469</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Мажар</surname><given-names>Ф.</given-names></name><name name-style="western" xml:lang="en"><surname>Majar</surname><given-names>F.</given-names></name></name-alternatives><bio xml:lang="ru"><p> Кемерово</p></bio><bio xml:lang="en"><p>Kemerovo </p></bio><email xlink:type="simple">fadel.rf987@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru">Кемеровский государственный университет<country>Россия</country></aff><aff xml:lang="en">Kemerovo State University<country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2021</year></pub-date><pub-date pub-type="epub"><day>05</day><month>01</month><year>2022</year></pub-date><volume>23</volume><issue>4</issue><fpage>855</fpage><lpage>864</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Мажар Ф., 2022</copyright-statement><copyright-year>2022</copyright-year><copyright-holder xml:lang="ru">Мажар Ф.</copyright-holder><copyright-holder xml:lang="en">Majar F.</copyright-holder><license license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.sibscript.ru/jour/article/view/5098">https://www.sibscript.ru/jour/article/view/5098</self-uri><abstract><p>С наступлением земледельческой революции и переходом человека к оседлой жизни его интеллектуальные способности получили стимул к развитию, что нашло отражение в использовании новых материалов. Наиболее важным из них является керамика, на которой человек сумел запечатлеть свои идеи в символической форме. Данная статья представляет примеры искусства древности, в частности изображений животных и людей. Приводится описание рисунков на ряде керамических сосудов, обнаруженных на археологических памятниках халафской культуры в Сирии, и предлагается трактовка их значений. Цель – изучить отдельные изображения на керамических сосудах и дать объяснение каждой из рассматриваемых фигур. Материалами исследования послужили керамические сосуды с рисунками, обнаруженные на археологических памятниках халафской культуры в Сирии. Для изучения изображений на керамических сосудах были применены дескриптивный и аналитический методы исследования. Сделан вывод, что древний человек рисовал животных на используемых в быту керамических сосудах из благоговения или страха перед ними. В конечном счете подобные сюжеты свидетельствуют о взаимодействии между людьми и животными, а также об их тесной связи с окружающей природой – основным источником продолжения жизни.</p></abstract><trans-abstract xml:lang="en"><p> Pottery marked the advent of the agricultural revolution, transition to sedentary life, and a new era of intellectual development. Man used pottery to communicate important ideas in symbolic form. This article presents examples of ancient art, in particular, zoomorphic and anthropomorphic images on pottery. The research featured ceramic vessels found at the archaeological sites of Halaf culture in Syria. The research objective was to interpret their meaning using various descriptive and analytical methods. The author believes that the ancient potter used animal images out of reverence  or fear. Animal images on pottery point at the close interaction between people, animals, and nature. </p></trans-abstract><kwd-group xml:lang="ru"><kwd>неолит</kwd><kwd>расписная керамика</kwd><kwd>зооморфные изображения</kwd><kwd>антропоморфные изображения</kwd><kwd>интерпретация изображений</kwd></kwd-group><kwd-group xml:lang="en"><kwd>Neolithic</kwd><kwd>painted ceramics</kwd><kwd>zoomorphic image</kwd><kwd>anthropomorphic image</kwd><kwd>image interpretation</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Oppenheim M. F. von, Schmidt H. Tell Halaf. Bd. I. Die prähistorische Funde. Berlin: Walterde Gruyter &amp; Co., 1943. 140 p.</mixed-citation><mixed-citation xml:lang="en">Oppenheim M. F. von, Schmidt H. Tell Halaf. Bd. I. Die prähistorische Funde. 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