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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">kemsu</journal-id><journal-title-group><journal-title xml:lang="ru">СибСкрипт</journal-title><trans-title-group xml:lang="en"><trans-title>SibScript</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2949-2122</issn><issn pub-type="epub">2949-2092</issn><publisher><publisher-name>Kemerovo State University</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">kemsu-1094</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>Филология</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>PHILOLOGY</subject></subj-group></article-categories><title-group><article-title>«КУХУЛИН ПРИМИРЕННЫЙ» И «ЧЁРНАЯ БАШНЯ» У. Б. ЙЕЙТСА: ПОЭТИКА МИКРОЦИКЛА</article-title><trans-title-group xml:lang="en"><trans-title>“CUCHULAIN COMFORTED” AND “THE BLACK TOWER” BY W. B. YEATS: POETICS OF THE MICROCYCLE</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Огнев</surname><given-names>Д. А.</given-names></name><name name-style="western" xml:lang="en"><surname>Ognev</surname><given-names>D. A.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Огнев   Даниил   Алексеевич   –   студент   4   курса   факультета   филологии   и   журналистики   КемГУ</p></bio><bio xml:lang="en"><p>Daniil A. Ognev – student at the Faculty of Philology and Journalism</p></bio><email xlink:type="simple">cairparavel@yandex.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru">Кемеровский государственный университет<country>Россия</country></aff><aff xml:lang="en">Kemerovo State University<country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2014</year></pub-date><pub-date pub-type="epub"><day>19</day><month>03</month><year>2016</year></pub-date><volume>0</volume><issue>4-2</issue><fpage>176</fpage><lpage>180</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Огнев Д.А., 2014</copyright-statement><copyright-year>2014</copyright-year><copyright-holder xml:lang="ru">Огнев Д.А.</copyright-holder><copyright-holder xml:lang="en">Ognev D.A.</copyright-holder><license license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.sibscript.ru/jour/article/view/1094">https://www.sibscript.ru/jour/article/view/1094</self-uri><abstract><p>В статье рассматриваются два последних стихотворения Уильяма Батлера Йейтса. Путём последовательного анализа их поэтики (строфики, образной системы, ключевых мотивов и диалогических отношений) делается вывод об их художественной специфике и месте в творчестве Йейтса, который заключается в том, что стихотворения, представляющие собой поэтическое выражение эстетических взглядов Йейтса, являются микроциклом и, таким образом, могут интерпретироваться только совместно.</p></abstract><trans-abstract xml:lang="en"><p>The two last poems by William Butler Yeats are examined in the paper. By means of the coherent analysis of their poetics (stanzas, image system, key motives and dialogical contacts) the conclusion is drawn about their artistic specificity and position in W. B. Yeats’s work. The poems being the poetic demonstration of W. B. Yeats’s aesthetic beliefs are a microcycle and consequently can be interpreted in conjunction only.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>У. Б. Йейтс</kwd><kwd>Данте</kwd><kwd>Гомер</kwd><kwd>героика</kwd><kwd>мифология</kwd><kwd>микроцикл</kwd></kwd-group><kwd-group xml:lang="en"><kwd>W. B. Yeats</kwd><kwd>Dante</kwd><kwd>Homer</kwd><kwd>heroics</kwd><kwd>mythology</kwd><kwd>microcycle</kwd></kwd-group><funding-group xml:lang="ru"><funding-statement>Красюк Т. Д.</funding-statement></funding-group><funding-group xml:lang="en"><funding-statement>Tatyana D. Krasyuk</funding-statement></funding-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Алигьери Данте. Божественная комедия / изд. подгот. И. Н. Голенищев-Кутузов; пер. М. Л. Лозинского. М., 1967. (Серия: Литературные памятники).</mixed-citation><mixed-citation xml:lang="en">Алигьери Данте. Божественная комедия / изд. подгот. И. Н. Голенищев-Кутузов; пер. М. Л. Лозинского. М., 1967. 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